Typically, I'm over apocalyptic horror. While favorites such as 28 Days Later along with the initial seasons of The Walking Dead proved enjoyable, this category feels largely depleted nowadays. Yet the highly anticipated 28 Years Later remains gathering dust on my to-watch queue for some time. However, Netflix's new Southeast Asian horror film, The Elixir, managed to defy my expectations turning out quite enjoyable.
Impressive Pacing and Character Growth
One of the film's greatest strengths is its excellent pacing. It begins using a memorable initial scene where a peaceful family party is violently interrupted when a vehicle plows right into the guest area. Out of the van, an extremely undead-looking individual emerges proceeding assaulting the attendees. This intense scene is then succeeded by a flashback, allowing us to observe this household before the disaster occurred.
In contrast to numerous zombie films, The Elixir truly allows viewers sufficient time to become acquainted with the primary personalities before the chaos ensues. We meet Nes, a married mother whose ex close friend, Karina, has become married to Nes' father—an obviously uncomfortable dynamic. Naturally, this has predictably led to a rift between Nes and Karina. Then there's Nes' brother, Bang, described as kind-hearted but a bit inept socially, and who loves playing video games with Nes' young son, Raihan. Her spouse, Rudi, appears to have lately been unfaithful to her. This household patriarch consists of Nes' father, the owner of a popular herbal remedy company called Wani Waras, and he appears focused on just two aspects: his work and his marriage to Nes' ex-best friend. Needless to say, this family reunion is incredibly strained.
Invested in the Conflict
I became so invested with this family's dynamics and their personal conflicts that I nearly overlooked this was a scary movie—something that could sound like a negative, but ultimately paid off. The Elixir dedicates a significant portion of its runtime depicting us the identity of every family member is, plus the ways they add to the general dysfunction. This emphasis on conflicting traits enabled the audience to connect with the characters sufficiently to be concerned for their outcome—an uncommon feat for this style which frequently introduces characters just to kill them off shortly afterwards. The Elixir avoids portraying its characters as flat, disposable victims for an army of zombies to devour, thus it's a genuine surprise when things finally go wrong.
Evocative of Parasite
The opening sequences of the party and the multiple household exchanges actually bring to mind the movie Parasite, a story that masquerades as a K-Drama featuring somewhat morbid comedy prior to taking an abrupt shift toward "holy shit" territory. These early moments aren't centered as much on comedy compared to Parasite, but The Elixir nonetheless provides enough time to settle into its world prior to it gets upended.
Unique Infection Source
This movie also offers a fairly interesting explanation regarding the origin of the contagious zombification. Instead of an accidental laboratory incident or a type of biological weapon, the cause of this contagious disease originates in a recent sample from Wani Waras herbal remedies developed by her dad. Although some background is provided something regarding its origins, I wish the film devoted a little more time explaining how Wani Waras transitioned from a reputable supplier of natural treatments to creating a deadly potion which seems to contain a highly contagious virus. Regardless of the limited context, the effect this condition produces on humans proves absolutely repulsive, and I appreciate. The Elixir's undead prove fast, freaky-looking, and, perhaps worst of all, always smiling. This represents a bold decision, yet it succeeds. The Elixir's practical effects and CGI also appear very convincing, and they're almost certain to provoke a fear of holes.
Capable Personalities
More impressive compared to the disgusting moments is the cast themselves. Certainly, we see a few examples of dubious decision-making (as in typical undead film), however for the most part, Nes and her relatives are resourceful and quick-thinking. Additionally, they aren't afraid to strike a zombie in the face, stab it with a pitchfork, or beat it on the skull with whatever blunt instrument is available instead of freezing like a deer in headlights as death nears.
Realistic Family Strike
The Elixir doesn't drop its themes on family conflict once individuals start turning into zombies, which was a pleasantly authentic deviation from the "We don't get along|"We have issues, but since you nearly died I immediately pardon you for all your mistakes!" trope frequently used in end-of-world films. Obviously, Nes loves her family and values her husband, Rudi, yet it's equally apparent she's still holding onto resentment over his betrayal in their relationship. Once the household becomes split up, they decide via telephone to regroup at a close spot. But when Bang reveals he is unaware how to get there, Nes expresses a massive level of irritation on her brother that's clearly been brewing over time. Nes is not perfect, and her family—flawed as it is—feel authentic and understandable since the movie avoids attempting to promote the idea that nearly dying instantly cures family tensions. This causes the moments where these individuals do show appreciation toward one another seem much more genuine.
Predictable Ending
Despite The Elixir's best attempts to innovate, the conclusion is admittedly somewhat stereotypical. The Elixir doesn't truly presenting any deep insight about family or community, as well. Rather, it's primarily delivering frights. Yet these are successful frights, and since the film allows every personality enough room to grow and doesn't punish them for having flaws, the outcome is a captivating and entertaining
